Life Under Water - Part 2

from by Morgan Hendry

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Life Under Water was composed in part by using "Sealife" as a sound source. The painting was spectrally sampled into 88 layers and mapped to the standard piano keyboard. Low sonic frequencies correspond to the red end of the spectrum, high frequencies to the blue. Each of the 88 layers (notes) preserved both the painting's left/right color distribution and the frequency spread present in each bin.


from Benthos, released May 10, 2016




Morgan Hendry Los Angeles, California

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